'Seoul Urban Legends' ('Seoul Villages' adapted into movies!)

In case you missed the VIP Presentation of 'SEOUL URBAN LEGENDS' ('서울 도시 전설들') in CGV Apgujeong on October 31, here's what you need to know about the first adaptation of my short stories into movies.

(Answering the question 'Some films are very close to your original stories, others build upon them. Any remarks?': 'Books are triggers. Authors and readers create their own images in their own heads. It's very stimulating to see each and every one of these very diverse and gifted creators add their own creative layers of fiction and reality'. With CHE Heesuk, YOU On, and KIM Yong-ho during the VIP presentation in CGV Apgujeong (photos Pulse9)

ABOUT 'SEOUL URBAN LEGENDS':

• 'Get out of your comfort zone, and dive into a fictional Seoul '
  
• an omnibus movie featuring 4 short films by 6 Korean filmmakers:
• 'Sweat Dream' (directed by CHE Heesuk)
• 'Black Snow' (directed by YOU On)
• 'Guisin-dong' (directed by CHOI Jong Wook, KIM Ye Jin, WON Chang Sung)
• 'de Vermis Seoulis' (directed by KIM Yong-ho)
  
• adapted from Stephane MOT's 'Seoul Villages', a collection of short stories about a fictional Seoul
• produced by Pulse9, sponsored by Korea Creative Content Agency (KOCCA)
• independent cinema with a touch of A.I.
  

ABOUT THE SHORT FILMS AND THEIR DIRECTORS:

• 'SWEAT DREAM'
  (DIRECTED BY CHE HEESUK):
  
  
• 'Yes, this heat is inhumane, but is there even any humanity left in a world controlled by A.I.?'
• From experimental film to music videos, CHE keeps exploring humanity and technology
  

• 'BLACK SNOW'
  (DIRECTED BY YOU ON):
  
  
• Mi-hyun finds a boy lying on the street; her city and her life itself start feeling more intense.
• An expert in short format contents, 'On Oppa' is also a TikTok phenomenon with over 21M followers.

• 'GUISIN-DONG'
  (DIRECTED BY CHOI JONG WOOK, KIM YE JIN, WON CHANG SUNG):
  
  
• If Seoul's most mysterious neighborhood claims you, don't even think about escaping it'
• Glamour or underground? CHOI, KIM,, and WON track all vibes across Seoul and beyond.

• 'DE VERMIS SEOULIS'
  (DIRECTED BY KIM YONG-HO):
  
  
• Life is a masquerade, worms roam Seoul, and acclaimed photographer KIM Yong-ho invites you to a surreal experience.
• Iconic fashion photographer turned artist, KIM Yong-ho brings a new light to the fabric of reality. 
  

• FOUR VERY DIFFERENT CREATIVE APPROACHES:
• They're all visual creators expert in their field, they're all making their first movie
• Four radically different creations (around 20 mn each):
  
• CHE Heesuk added new dimensions to the protagonist's struggles by transposing the original short story, set in early 90s Seoul, into a dystopian future.
  
• YOU On opted for a vertical format to focus on the characters. 
• CHOI, KIM, and WON built a ghost story on top of the original one, with a resolutely indie / underground touch.
• KIM Yong-ho created a highly artistic experimental film based on still pictures and quotes from the book
• Like the book combines multiple fictions about a shapeshifting city, the film combines multiple approaches of these fictions. 'This might be the very definition of a city: a work of fiction, utterly real, but always eluding its authors'.

 

(Answering the question 'Your fiction is timeless, but your background also includes startups. What did you think when you learned that A.I. virtual characters would appear in the adaptations?') 'These virtual characters belong to what's known as the 'uncanny valley', and 'Uncanny Valley could be the name of one of my fictional Seoul villages. This particular technology opens new possibilities for all kind of visual creators, actors, and performers, and it's significant to see Korea's independent cinema explore it."

We'll keep you posted about the distribution of the movie and the next steps. 

The happy few (well actually enough to fill twice the theater) who attended the VIP presentation of Seoul Urban Legends could watch the teasers and the filmmakers' interviews before a Q and A session. KIM Yong-ho's 'de Vermis Seoulis' was then screened twice so that everyone who came could watch. The whole team thanks those who could make it that day as well as everyone who supported this project that only started a few months ago.

'Seoul Urban Legends' in Tokyo for TIFFCOM 2023 (with YOU On, CHOI Jong Wook, CHE Heesuk)

ABOUT THE BOOK:

If you haven't read 'Seoul Villages' yet, download the free ebook:

• 'Seoul Villages' (EN)
• '서울 마을들' (KR)
• '서울 마을들' (EN/KR)
• 'Séoul Villages' (FR)

blogules 2023
Since 2003, nonsensical posts about noncritical issues in nonenglish (get your blogules transfusion in French)
NEW: join blogules on Facebook!!! and Twitter (@stephanemot, @blogules)
Enjoyed my neuroses? Check my prose: Seoul Villages, dragedies.com.

 

*  among many others:

• 소설 '서울 도시 전설' 옴니버스 영화로…"깊고 놀라운 표현"(종합) [N현장] - 뉴스1 - https://www.news1.kr/amp/articles/?5216311
•  [[영화] 31일 사진작가 김용호의 실험영화 <데 베르미스 서울리스> 시사회 -https://m.monthly.chosun.com/client/mdaily/daily_view.asp?idx=18655&Newsnumb=20231018655 
•  영화·AI의 접목…예술 분야 신인 감독이 AI와 만났을 때[SS현장] - https://m.sportsseoul.com/news/read/1364905
  

Welcome to Guisin-dong

Here's a small gift for you: 'Guisin-dong', a short fiction I wrote a couple of years ago (part of my collection of Seoul 'dragedies' in English). 

Frankly, you don't want to visit Guisin-dong. Even I, who visited every single Seoul neighborhood, never set foot there.

Now that you've been warned, you can download it for free, right here:  Guisindong2012StephaneMOT.


Any comments and critics are welcome (e.g. on this site, on the Facebook page, on Amazon...).

blogules 2015
Since 2003, nonsensical posts about noncritical issues in nonenglish (get your blogules transfusion in French)
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The First (Nation) Captain America

I grew up with Marvel comics, and always found Captain America one of their most boring characters, a Wartime Superman only good at kicking foreign ass. Frankly, this poster won't help me change my mind:

Now if Marvel went back to the drawing board today, they could come up with something more sustainable, like, who knows, this genuine Captain America:

Meet the first Captain America, complete with the shield. Okay, it might not sell well in the Bible Belt, where they fancy blond, blue-eyed versions of Jesus (BTW not the most likely combo for a Palestinian Jew around 0 B.C.).

Marvel did create an Apache superhero / war hero, but Thunderbird got quickly MIA for the X-Men.

Adding insult to injury (and death): the fact that Thunderbird was killed soon after having been created also means that he got stuck in this 1975 wardrobe

blogules 2014
Since 2003, nonsensical posts about noncritical issues in nonenglish (get your blogules transfusion in French)
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An interview in and about Seoul

Interview with

Benjamin Joinau, "L'Atelier des Cahiers"

This short video interview (in French) with the publisher of 'Impressions papier hanji' was recorded in the middle of the summer and in the heart of Seoul (Seochon, Jongno-gu, my favorite neighborhood and Benjamin's new lair). I'm at my Bela Lugosi best, but this is about 'de Vermis Seoulis', haunting places, and the dark side of Seoul. 





Ce bref entretien vidéo avec l'éditeur d'"Impressions papier hanji" a été enregistré au coeur de l'été séoulite, et au coeur de la capitale (à Seochon, Jongno-gu - mon quartier préféré et le nouveau repaire de Benjamin). Ambiance sombre, mais il est question 'de Vermis Seoulis', de hantise, de fantastique, et du côté obscur de la ville.


See also / Voir aussi:

• "Impressions papier hanji" release (2011)
• "Impressions Papier Hanji" / Kindle" on Kindle, paperback (2012)
• L'Atelier des Cahiers

blogules 2013
Since 2003, nonsensical posts about noncritical issues in nonenglish (get your blogules transfusion in French)
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Moving pictures

I've uploaded a couple of short vids on my YouTube channel (youtube.com/user/stephanemot). Actually, I rather downloaded them from my memory because they keep haunting me. It might happen from time to time since I take thousands of pictures every year - awful shots, I know, but these slideshows only last a few seconds.

• I shot these black and white - and rather dark, I reckon - pictures during the noughties in Seoul. Some of them already appeared in my dragedies:

• More colors in this recent series, but not much joy either - my last tribute to a Seoul neighborhood about to be destroyed (see "In memoriam Samdong Samgeori, Gyonam-dong" on Seoul Village):

ADDENDUM: while I was on a roll, I uploaded them on Vimeo as well (new page: vimeo.com/stephanemot).

blogules 2013
Since 2003, nonsensical posts about noncritical issues in nonenglish (get your blogules transfusion in French)
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Inhuman, all too human Seoul (an essay)

En Francais dans le texte: "If Paris were a recurring hero in series of novels, Seoul would rather be a shapeshifting character, always mutating between two short stories. This might be the very definition of a city: a work of fiction - utterly real, but always escaping its authors".

Ever the lazy one, I won't translate more from my essay - in French - on urbanism in Seoul: "Inhuman, all too human Seoul". Atelier des Cahiers published it ("Seoul: inhumaine, trop humaine") ahead of Monday's roundtable on "Seoul Ville Reelle, Ville Revee" (6 PM at Cafe des Arts - see event details on Facebook).


"Seoul: inhumaine, trop humaine": mon essai sur la ville est en ligne sur l'Atelier des Cahiers. Un peu de non-fiction pour faire un break pendant la campagne electorale. Votez bien dimanche, et si vous etes sur Seoul lundi, ne manquez pas la table ronde sur "Seoul Ville Reelle, Ville Revee" (au Cafe des Arts a 18h - voir details sur Facebook).

blogules 2012
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Out of Place

"Out of Place" is the title and theme of Seoul Writers Workshop's 4th annual anthology of original fiction, poetry, and creative non-fiction*. Yesterday, in tune with this writing-as-a-performing-art week-end in Seoul, a few contributors read their piece to a large audience, and I'm afraid I barely managed to mumble mine under a light as dim as my voice (that's okay: as always I've got the excuse of being French).

But you want to buy this book to make other voices, voices that really deserve attention and care, heard : this year, proceeds from the sales go to The House of Sharing, a charity that supports the cause of comfort women, the victims of sex slavery during Japanese occupation.

Contributed to this year's anthology edited by Christopher R. F. Sanders with Kathryn Whitney, Jorge Miramontes Sandoval, Ang McLaughlin, and Becky Bosshart:
- Death Metal: A Revenge Story (Sean Bienert)
- Je t’attends (Brooke Carlson)
- A Hamster Wheel (Kelly Carroll)
- Catching Butterflies (Alex Clermont)
- The Marble and I (Parag Dandgey)
- Stretch (Hamish Dee)
- Astigmatism (Dianne Despi)
- You Can Always Come Home (Ben Dowling)
- short convo (Jürgen Dünhofen)
- For Daniel Who Is 4 (Vanessa Falco)
- Speakeasy (Meriwether Falk)
- Cheap Thrills – What Price? (Pamila J. Florea)
- Dust to Dust (Grace Gallagher)
- Kodachrome (Jeff Glenn)
- I Drank from Your Hair (John Grimmett)
- Yonsei Lake (Gwee Li Sui)
- The Thirteenth Student (Aireanne Hjelle)
- Turkeys Can’t Fly (Matthew David Jenkins)
- The First Wind of the Death (Joel Killin)
- Silk on Belly (Bruce Kim)
- Cracks (Eric Lynn)
- The Beautiful People (J.C. Maxwell)
- Dawn / Daughter / Stars (Craig McGeady)
- Evening Clouds (Shaun Morris)
- Black Snow (Stephane Mot)
- The Road to Sanbuk (Valerie A. Nelson)
- Out of Place (M. Lee Nielsen)
- Date Night (Karin Roest)
- The Halmoni (Michael Solis)
- Hiking on the East Coast in October (Emily Sorrells)
- color / cockpit / the taxi driver (Ayshia Stephenson)
- Bed Solo (Jennifer Waescher)

blogules 2011 - also on Seoul Village

* For the 3rd edition, see "SWW 2010 anthology").

The K-pop bubble

Pop, that's the sound of a bubble when it bursts. Not your usual, big fat speculative bubble, no : rather the cute, ephemeral, soap edifice of a kid.

But K-pop is not much of a child's play : here, no room for innocence, chance, or unexpected wind twists. In this overformatted industry, creativity only exists in the way products are marketed, with a focus on viral and addictive gimmicks.

In a certain way, K-pop mirrors Korean society in this early IIIrd millenium, but not in its most sustainable aspects : visual and auditive over-stimulations including immediate reward systems, a dystopia founded on extreme competition and superhuman training leading to the negation of nature and systematic plastic surgery, mushrooming virtual communities offering the security of belonging without any ideology-related stress...

Yet, nothing new under the sun. As far as music is concerned, of course, but also regarding the business model : you simply have to adapt classic boy / girl bands recipes, and to progressively inject some of Hollywood majors' tricks to lead a young and docile audience along the slowest and most controled maturation process. SM Entertainment & co plan to alter their product mixes step by step, so that consumers don't churn as they grow older. Longer lasting K-pop groups have already developped embryos of proto-intellectual alibis, illusions of brainwaves because you don't want to believe your favorite singer is "a mental midget with the IQ of a fencepost"*.

Does it sell ? You betcha : as soon as the first contagion signs showed in Europe, K-pop marketers rushed to Paris with their whole Barnum.

Not exactly the kind of cultural bridge I dreamt between Asia's and Europe's heralds of cultural diversity... But I'm getting used to it : a couple of years ago, I was crucified by Uzbek or Japanese Bae Yong-joon fans because I deplored the way 'dramas' were promoted overseas, or the vacuity of Yonsamania (sorry but Korea shouldn't be summed up in that Hallyuwoodian caricature of Michael Jackson).

Hopefully, theses fads won't last. And something positive can even grow from them : the most daring fans will reach deeper into Korean culture, its language, and its fantastic cuisine**.

blogules 2011 - see also "La bulle K-pop" on blogules in French, "K-popping bubbles" on SeoulVillage.com (join Seoul Vilage on Facebook, on Twitter).

* in the musical universe, Tom Waits is probably the ultimate anti-K-pop element : an ugly fella with a rough voice and crafting incredible songs by himself (this line belongs to "The piano has been drinking (not me)", best served in the album "Bounced Checks").
** another cultural domain where the Korean government has been promoting exports a not always subtle way...

Impressions papier hanji

(NB read the French version of this post on blogules VF)

Atelier des Cahiers publishes an anthology of 10 French-Korean short stories about Korea : four female Korean authors and six male French authors... including yours truly ('de Vermis Seoulis' was previously published in my personal anthology - dragedies").

Impressions papier hanji - Dix nouvelles franco-coréennes
Editions Atelier des Cahiers 2010 - Collection Littératures
ISBN 978-2-9529286-4-9
303 pages - 15.000 wons / 12 euros
. Alain ROBBE-GRILLET ("Mon double coréen")
. KIM Da-eun ("Madame")
. Antoine COPPOLA ("La véritable histoire de Li Jin et de son horrible sacrifice")
. CHOI Myeong-jeong ("Pojangmacha")
. Eric SZCZUREK ("La joueuse de Baduk")
. Stéphane MOT ("de Vermis Seoulis")
. KIM Ae-ran ("Le couteau de ma mère")
. François LAUT ("Jours d'après")
. EUN Hee-kyung ("La voleuse de fraises")
. Michel LOUYOT ("Le poète sans nom")

More on this later in these pages.

Stephane - blogules

ADDENDUM 20110304

To purchase / order this book, see the editor's website (www.atelierdescahiers.com) : list of points of sale in Seoul and Paris, order online via Paypal...

SWW 2010 Anthology

Fancy some original fiction or poetry ? Take a bite of the Seoul Writers Workshop's 3rd annual anthology. And don't feel guilty about that sweet literary tooth of yours : proceeds from sales support the Korea Sexual Violence Relief Center.

Many stories featured in this anthology have been discussed over the past few months during lively, coffee-guzzling workshops at Hello Beans in Itaewon, where new members are welcomed every second Sunday : this is not an exclusive, tight-lipped club - simply a great opportunity for writers to share and enjoy each other's works. And don't feel deterred if you are not a native speaker : the SWW already embraces all continents*.

Seoul Writers : www.seoulwriters.com/
Also on Facebook

"Every Second Sunday" - 2010 Anthology
Edited by C.R.F. Sanders, Kathryn Whinney, Ang McLaughlin, Elena Sanchez
ISBN: 978-1-45383555-5
Also on sale at What The Book.

blogules 2010

* Full disclosure here : yours truly, a French citizen with (as you well know) a poor command of English language (not to mention his own !), contributed to this edition with a short teaser : "Kim Mudangnim".

The Housemaid (Im Sang-soo)

Ahead of the 63rd Festival de Cannes, "The Housemaid" (하녀) premiered yesterday in Seoul : IM Sang-soo's latest movie will air on Korean screens starting May the 13th, and on the Croisette the next day.

This is a remake of a great Korean classic by KIM Ki-young (1960) : a psychological drama, already audacious 50 years ago, where a man cheats on his wife with their maid. Korean media were pretty much excited by a glamorous erotic thriller featuring a clash of actresses : the betrayed spouse (Seo Woo) et her rival (Jeon Do-yeon as the title role). I was expecting different kinds of surprises from this audacious filmmaker.

And yesterday, I wasn't disapointed : IM once more delivered a well crafted movie, a stimulating actors direction, and a powerful social satire. He didn't hesitate to somehow rewrite the original story, inverting the roles and moral standards.

In this version, the femme fatale is not the maid but the mother in law (Park Ji-yeong) who forms with the husband and wife (Lee Jung-jae et Seo Woo) a perfect trio of vain characters as artificial as their luxurious yet Hitchcockian mansion.

The actual pair of actresses lies around the pivotal role of the housekeeper. In "The President's Last Bang", IM Sang-soo carved an amazing Baek Yoon-sik. With "The Housemaid", he's not only pushing Jeon Do-yeon on the way to a second Palme d'Or, but also bringing the best in Yoon Yeo-jeong.

And once more, enjoying the winding road between a classic tragedy and a dark comedy.

blogules 2010 (see also this post in French)

Santa Miranda Rights

I decently can't write only about stupid politics this close to Christmas. Furthermore, I must write a short text about Xmas for a writers gathering in Seoul tomorrow... So here you go, fresh from the oven :

- "Don't play smart with me. It's already been a long bad night and I don't want to put a third person in jail on Christmas eve. Papers, please."
- "Told you : don't have any. And it's already been a long night for me too... but believe me, it's gonna be a really bad one if you put Santa Claus in jail."
- "Still sticking to that lame tune ? Sorry to tell you this but you don't exactly look like Santa to me... Jose Canseco, maybe ?"
- "What did you expect in Southern California ? An all whitechristmassy, Caucasian, Coca Cola Santa with a thick red coat and a huge beard ? And under the hood, Rudy the red-nosed plug ? Ho Ho Ho !"
- "Now that you mention it, I'd like to have a peek there as well : your semi made my radar-gun sing the heck of a Christmas carol."
- "You'd better check the trailer. I'm sure your smuggler friends would love to ride this beauty : it's bottomless and even if you run like Usain Bolt you ain't gonna reach the end of it before the end of next year. Now if you please, I gotta go."
- "No way Jose. Put both hands on your truck, if you please".
- "That would be a mistake. I've got something for you, you know ? Shouldn't tell you but there's a brand new lawnmower waiting for you at home."
- "Nice guess. And where would that be, Dear Santa ?"
- "1200 Orange Crescent, El Cajon. It ain't the model you asked cause you've been a naughty boy but there's a nice tag on it. It reads 'Edward Fink Jr' ".
- "I'll be damned..."
- "Nope. I will be if you don't help me get to Escondido by the end of next minute."

Stephane MOT 2009

dragedies

My "dragédies" are now available on Amazon.com*.

What is a "dragedy" ?

You may have heard about "dragees", sweets you offer to somehow exorcise festive events - generally a wedding or a birth... dragedies basically and nonsensically announce death, which means they can be sweet and sour, sad and funny (my definition of humor being the ability to accept death in general and one's weaknesses in particular, in order to make life in general more acceptable, and one's existence in particular more bearable to others).

This excuse for a book proposes a handful of dragedies, and some definitions, along with a few Seoul crumbs which somehow fell into my lap or lens.

Worms in the city, books in the sky, trouble in the company... these 17 dragédies stretch over three decades and three continents :

- La mer amarrée
- de Vermis Seoulis
- Le Dévisseur
- Le regard d'un ami
- Brouillon
- La Bibliothèque de Babel II
- Neige Sale
- Paranoïa
- Etat de Grâce
- Nouvelles du front
- Le Salon de Lecture
- La Malédiction
- Comin'up next
- Si Paris m'était comptée
- Le blues de la grille
- Rendez-vous Rue Van Boo
- L'Année du Chien

Yup. That's in French. Or kindo. So luckily, it won't be as poorly written as my blogules.

And oh. That's fiction. I mean both the book and this last wishful comment.

Stephane 2009


* "dragédies (la mer amarrée et autres dragédies)" - ISBN:978-1449510916 - website : dragedies.com - Facebook group. Soccer nerds can still order my other book (also in French), "La Ligue des Oubliés, l'autre histoire du football" : "The League of the Forgotten / The Other History of Football" tells the tales of unlucky soccer players, personalities or events - they didn't even have the chance to exist.


see this post in French

---

ADDENDUM - FAQ ATTN NON-SPEAKING READERS

Q: What if I can't read French ?
A: No problemo : I can't WRITE in French. Besides, there are a few pictures in this excuse for a book.

Q: What on Earth is a dragedy ?
A: dragedy (noun, fem. - pl. dragedies) : bittersweet candy and preemptive death notice. Etym. dragée (tiny, hard confectionery) and "tragédie" (tragedy, or death's foreplay). i.e. "'If I read 'dragedies' ? I almost choked on them !"

Q: Why not "short stories" ?
A: First, I'm not much of a story teller. And to me, it sounds the same as if a painter exhibited his works under the title "40 x 60 in. frames".

Q: Why add a glossary ?
A: I felt the need to put down my vision on such essential concepts as "life", "death", "love", "footballer"...

Q: Why this pen name ?
A: It's not a pen name. MOT (noun, masc.) : French word for "word". 1 - significant unit. 2 - insignificant author.

Latest Korean Export : Hangeul Alphabet, To Indonesia

According to The HunminJeongeum Society (HunminJeongeum Research Institute), representatives from Bau-Bau decided to use the Korean alphabet in order to preserve their own language, a dialect that lacked a writing system.

Created in 1443, Hangeul is often praised by linguists as the most efficient alphabet ever invented and indeed, it takes only a few minutes to understand how it works. Still, Hangeul needed some help to reach Bau-Bau, the most populated town (120,000 inhabitants) of Buton island, at the Southwesternmost point of Sulawesi, Indonesia.

The HunminJeongeum institute has been trying to export Hangeul for years. The easiest and most obvious entry points are non written languages with a limited reach and on the verge of extinction : a writing system means an easier conservation, transmission, and of course a global reach via the internet.

Last year, the vice president of the association (headed by Seoul National University Professor Kim Ju-won), Chun Tai-hyun, Professor at Hankuk University of Foreign Studies, announced in a Korean Times interview* that representatives from Bau-Bau would visit Korea to learn Hangeul and find out how to implement it. "In Indonesia, ethnic minority communities are losing their own spoken languages. We realized that the Korean alphabet could actually help preserve these endangered local languages."

The said trip bore interesting fruits : a comprehensive textbook in Hangeul created by the Institute and titled "bahasa jjia-jjia 1", and a Korean center soon to be opened (see Yonhap article*).

I found this information both exciting and surprising : If it were say in Thailand, where the national language uses a specific writing system, I would understand the trial... but Bahasa Indonesia itself, the Indonesian language, has adopted the Latin alphabet about one century ago. Indonesian is spoken everywhere, even if many dialects survive, and Latin alphabet already offers a potentially global reach. Choosing an alphabet is a founding moment, and picking a different alphabet almost has to have a political meaning...

I did some quick research :

- on the island's official website (baubau.go.id), there's nothing about the issue yet : all pages seem written in perfect Bahasa Indonesia... as much as I can tell (I haven't practiced the very little I know for 20 years !).

- on the always fascinating UNESCO Atlas of endangered languages, I found only Busoa ("vulnerable") and Taloki ("definitely endangered") in the area. If Indonesia boasts about 130 endangered languages, this very one is not on the list.

- on the "Ethnologue report for Sulawesi, Indonesia", I found the language mentioned on the manual : in 2005, 79,000 people spoke Cia-cia language (or simply cia, which means "no") across this part of Sulawesi, but with many variant dialects. The language is said to be "vigorous" and spoken at "all ages", along with Indonesian and the dominant Austranesian language of Buton island, wlo (or wolio).

- I couldn't dig any clue in the political / social context that may cast a particular light on such a bold move from local representatives.

So my guess is that in this more "push" than "pull" operation, the survival of cia-cia language was not as essential as the opportunity to see how Hangeul performs in a completely new context. Professor Kim Ju-won is even more specific : "In the long run, the spread of Hangeul will also help enhance Korea's economy as it will activate exchanges with societies that use the language."*

I understand that this kind of arguments help raise funds for research, but I sincerely hope that linguistics remain the main topic, and that someone is planning to closely monitor the impacts. For example, I'm anxious to see if there is any impact on pronunciation.

If this thrilling (in all senses of the expression) experiment turns out to be a success, other local languages may be tempted to adopt Hangeul... if they simply don't catch the virus by contagion.

To be followed up...


* "Linguistics Scholar Seeks to Globalize Korean Alphabet" (Korea Times)
** featuring "writing, speaking and reading sections", "the tribe's history, language and culture" (definitely a must), and as a bonus "a Korean fairy tale" - see "Indonesian tribe picks Korean alphabet as official writing system" (Yonhap 20090806)

---
initially published on Seoul Village : "Hangeul lands in Bau-Bau, Indonesia... to save the Cia !".

News biorhythms and the future of newspaper

Before the introduction of printing in Europe by Guthenberg, people would travel for books. Then books could multiply, move and reach different readers in different locations. Now you don't even need paper and anyone can consult any priceless ancient manuscript from anywhere without fear of damaging it*.

Earlier this year, there was a exhibition in the library of Florence's Convento di San Marco on the process of book making, featuring beautiful objects and illuminations. I remember thinking, as I moved from one marvel of patience to another, about how people would look at a newspaper press a few years from now.

Doesn't it already seem like a black and white scene from Citizen Cane ? The journalist getting his scoop, writing it down, submitting it to the chief editor, the prints running like crazy, a headline splashing on a newstand, yelled by a street vendor...

Scenes from last millenium.

The future of newspaper definitely looks like "more news and less paper".

Many players are folding their last issues, and folding, period. The sector had been looking for new business models for years when depression struck, precipitating bankruptcies in an already fragile ecosystem.

Sourcing, writing, editing, printing, distributing, advertising... now it's less a linear value chain than a shape shifting value cloud. But there's still value out there, be it in relevance, ergonomy, utility, actionability, exclusivity, analysis / insights / advice, local, reassurance, trust, fun... or why not, the quality of the paper (actually, that's the reason why there's still a thriving market - readers and advertisers - for certain magazines).

Likewise, brands are more often scattered among media, platforms, authors, journalists, and contributors who can even be anonymous members of a popular online forum. With a high churn rate because things and people tend to come out of fad more quickly by the day. Any local newspaper can get its 15 Warholian minutes of fame because say, their cute kitten rescued from a fire in Armpit, TN has been over-retwitted as a scoop of michaeljacksonian magnitude.

Reading has become a multimedia experience with pop-ups, background music, rollover images... you start reading an article and end up watching a movie while purchasing virtual pop-corn for your tamagotchi.

Sometimes, the article you're reading is being edited under your very eyes. Like that page devoted to post-elections unrests in Iran on HuffPost, or DemConWatch's SuperDelegate list, which I consulted about every other minute last year.

News and hoaxes are everywhere, and each individual has what I call his or her own "News BioRhythm" : depending on the context you consume more or less but you somehow have to be fed at certain moments of the day.

The future of newspaper ? The term will more often cover the medium instead of the media brand : you won't be talking about the NYT nor the WSJ, but about your favorite epaper smartphone application, your favorite dedicated device (ie your Kindle, your foldable screen...), where you chose to consult the news.

We all have tools to arrange our own newspapers, but that's not necessarily what you want nor need. I started with My Yahoo! around 1995-96 but quickly switched to a more pervasive browsing mode. There are usually about 30 sites always on on my screen - half of which about news, news gathering, or keeping track of news I read.

I know, I have a problem with my NBR... I should twit my shrink about it (he takes only $13.59 + taxes per character).


* These days, you should fear more for your dutifully purchased ebook (see "Kindle's Total Recall")

Watchmen and the nature of Alan Moore's power

As the screens get filled with spectacular images of Zack Snyder's action movie sharing the same title as Alan Moore's delicate masterpiece, I welcomed Salon's interview of 'The wizard of "Watchmen"' (Andrew Firestone - Salon - 20090305).

At last ! The only person who could say something relevant and intelligent about his own work (which once again, has nothing to do with a recently released popcorn byproduct*).

In very deed, Watchmen is not about comics and superheroes. ""Watchmen" is an intelligent meditation on the nature of power".

Intelligence and power ? Alan Moore knows something about those, alright. As well as he knows something about human nature, its beautiful as well as its lighter and - preferably, I reckon - darker sides.

To stay with Watchmen characters, I think the darkest side of Alan Moore resides not in Rorschach, but in Dr Manhattan : the systems he designs are as perfect, but the key difference is that they are meant for planet Earth, perfectly human and humanly flawed, a tribute to intelligence**. Not the boring, dull, sterile Ozymandias kind of intelligence - the sparkling, stimulating kind.

If Stan Lee revolutionized super heroes and the comics industry, Alan Moore revolutionized comics as a medium*** for human intelligence and creativity. And in that extent, there is something fictionally autobiographical in Watchmen, "an intelligent meditation on the nature of Moore's power".

I was not surprised to learn that Moore produces several pages of script for each final page. The edifice requires an incredible concentration from its author, and there is just no way one could add, move or retrieve any single piece without ruining the work and provoquing its collapse****. The movie, any movie, was doomed to fail from the start.

Moore knows how to lift existing characters to new dimensions, and he changed the Swamp Thing or Batman forever, reinvented actual or virtual figures from the past, but he can do much more than that, lift the burden of all existing rules, build his own universes, bend space and time, explore fiction beyond Pynchon or Borges. How's that for superpowers ?

His best moments ? When he starts from scratch. And even then, he must always move on before it gets boring to him... which happens much earlier than it does to us. This author simply cannot stick to one thing, even from a dark swamp.

Yeah, the man's back to "The League of Extraordinary Gentlemen" - not my favorite. But he's a human being, remember ? And his "Lost Girls" will probably expose new weaknesses.

I probably won't read those two, but I'd love to have a peek at his scripts.

Which, I know for sure, will be a delight for scholars decades from now.

PS: I also committed three blogules in French about Alan Moore : two lamenting about the disastrous choices of filmmakers ("Watchmen - Le Film" - 20081210 / "V for Vendetta - c'est Alan Moore qu'on assassine" - 20060323), one pointing out how "V" became IRL when, following the 2005 terror attacks, London authorities lauded their surveillance systems as their "Ears" and "Eyes" ("V for Vendetta. V : c'est arrive en 2005" - 20050724).

* Haven't watched it yet (who watches the Watchmen anyway?), but I will. Eventually.

** What's in a Worldsmith ? This Blue Man Group Of One would build with "materials" (please don't nuke me Doc, I know I'm being utterly reductive and classically / quantumly wrong) where the Bard Wordsmith mindnipulates "immaterials".

*** I'm not saying "a" as "one" : in Watchmen, Moore mixes all kinds of media (comic strips, novels, radio, cinema, press, TV, sketches and paintings...).

**** see (in French also) "Watchmen - Frappes chirurgicales et hommages collatéraux".

John, Ben, Barack Hussein, James, Thomas, and other beautiful American names

What do McCain and Obama have in common ? Any of the two would be the 15th US President with a Semitic name*.

Yep. Barack Hussein is as American as John, Joe or Sarah.

And Barack Hussein Obama is no more un-American than such radical terrorists as Benjamin Franklin or Abraham Lincoln. Maybe President McCain would arrest Bin Yamin Franklin for inventing a weapon of mass destruction collecting energy from lightning bolts, or Abraham for sporting such a suspicious beard...

Obama never made a mystery of the nature of his relationship with Bill Ayers, and repeatedly denounced his past actions. We have yet to hear from John McCain about his relationships with John Singlaub and his presence at the board of the sulfurous U.S. Council for World Freedom (not exactly the board of a charity at that time, ask any Nicaraguan).

"Who is Barack Hussein Obama ?" We know the answer, the man is quite open about his past, present and future, about what he knows and doesn't know, about what he did wrong and right, about where he stands and whom he stands for.

"Who is John McCain ?" I'm not sure John himself wants to face the answer.

* praise Juan Cole : "Barack Hussein Obama, Omar Bradley, Benjamin Franklin and other Semitically Named American Heroes"


---
Addendum 20081019
Praise also Colin Powell for not only endorsing Barack, but also setting the record straight about US Muslims (NBC's "Meet the Press" 20081019) :

see also Barack's reaction - ABC News "Obama 'Beyond Humbled' as GOP's Powell Says He'd Be 'an Exceptional President'" 20081019)

David Attenborough, one life on Earth

I would never tire of watching TV series from Sir David Frederick Attenborough. Each time I end up thinking why wait for this strange animal to disappear from the surface of Earth before paying hommage to such an utterly exotic and brilliant naturalist from the BBC ?

Because the David Attenborough is an endangered specie ; a dodo exhibiting improbable feathers, carrying a surprisingly melodious breathless tune, and with a unique way of shaking all over while delivering incredibly valuable messages in an otherwise vanished language. Maybe the missing link between Darwin and Monty Python... actually, a discreet hello was sent by none other than the unforgettable agent of the Ministry of Silly Walks during John Cleese's cult documentary in Madagascar.

But Sir David would never dare compare the tarsier with a microwaved cat. His sense of humor is full of love for life in all sorts and shapes, life starring in breathtaking and voluminous tales matching the greatest of XIXth Century novels. This naturalist probably produced the most ambitious works to date on the ephemeral story of life on our ephemeral piece of cosmos, and "The Living Planet" may perfectly sum up both his achievements and those of life on Earth. Actually, "life" / "living" and "planet" appear in all titles, like trademarks. Non for profit trademarks : just marks of respect traded every day for any kind of emotion on any kind of place and under any kind of weather.

The younger brother of director Richard Attenborough (whose rather classical "Ghandi" shall be better remembered than a rather classical role of scientist in Spielberg's Jurassic Park), this Londoner works essentially for the Beeb, in audiovisual formats, and never balking at the most surprising images. Yet, I do believe his main talent lies in his writing : everything seems so simple and natural, like water running down the mountain... but imagine what it takes to start a sentence in Antarctica and complete it six months EARLIER in Kalimantan ! Even under the charm of his tale, one cannot but admire the clarity, the relevance, and the synthetic mind of this splendid achievement of evolution.

Naturally (indeed), years tend to go by, hills to draw more sighs, and winds to agitate a whiter shade of hair, but even at 81, Sir David remains this curious kid dreaming his naïve environmental dreams, and radiating eternal love for life.

Some sad day, England will cry for the loss of this beautiful life on Earth. That day, let us not keep his brain in formalin on some dusty shelf of a museum, but disseminate his ashes and works around to keep our planet and minds fertile.

Alice Walton - Everyday Low Art at High Price

Sam's daughter developped a taste for the kind of XIXth and XXth century American art the average Wal-Mart shopper loves to purchase on Hallmark Cards, chocolate boxes, jigsaw puzzles, embroidery designs... only she goes for the real thing, spending tens of millions of bucks on each "masterpiece".

Alice Walton knows about marketing. She can build the most comprehensive collection ever : no one will compete with her on that one, and all the has to do is to siphon oceans of uglities from big East- and West-coast basements, and to put a few top shelf items up front in order to lure consumers. This massive collection of cheap images will be exposed at the heart of Walmartland, in the billionaire's Crystal Bridges Museum of American Art*. Grand opening : Fall / Winter 2009.

I can't wait to visit it. I always dreamed of passing by the Rogers Daisy Airgun Museum and Bentonville, AR would be only a short detour from Rogers, AR... Much closer than Fort Smith, AR and its famous Fort Smith Trolley Museum. Unless... Come to think of it, I could go all the way from Crystal Bridges to Eurora, AR : you don't want to miss the Rubye and Henry Connerly Museum ! I would then stop at the William J. Clinton Presidential Library and Museum** (Little Rock, AR), and get some refreshment at the Pine Bluff, AR Arkansas Entertainers Hall of Fame / Band Museum where, according to the Director, "there is a fully-operational 1950’s soda fountain"... Boy, what a ride ! Better kick than Route 66...

NB : to my beloved visitors from Arkansas : nothing personal. I'm realy glad to see heart collections bloom at the art of the country... even if they compete more easily with Guggenheim for the shells than with Chicago for the contents. And I can find even more XIXth century academic monstruosities and ugly colorful sunsets in Orsay Museum.


* crystalbridges.org
** clintonlibrary.gov - 1200 President Clinton Avenue Little Rock, Arkansas 72201(501) 374-4242. Hours Monday–Saturday 9:00 a.m.–5:00p.m.Sunday1:00 p.m.–5:00 p.m. Closed Thanksgiving, Christmas, and New Year’s Day. Admission : Adults $7.00 Senior citizens (62+) $5.00 College Students (With ID) $5.00 Retired Military (With ID) $5.00 Children (6-17) $3.00 Children under 6 Free. All Active Duty, Military Reservists, and National Guard Free. All White House interns Free.

White, red and pink blogules to the World in 2020

The CER (Centre for European Reform ) and Accenture recently waged a debate about the World in 2020, partly fueled by Mark Leonard's essay "Divided world: The struggle for supremacy". The democracy vs autocracy divide sounds a little bit white vs black to me, and I may add a few other key structural changes within :
- America enjoying good demography dynamics but becoming more monolithic, more focused on itself, welcoming fewer influences from abroad. Growing old a different way.
- At the opposite of this Mainland Amerika, China is embracing its own diversity. Chinese imperialism is no more about spreading a unique monolithic model but about a much smarter pervasiveness, leveraging on all minorities instead of crushing cultural diversity (ie China intends to build the core of Koreanhood on its very soil, claims the Koguryo cultural heritage, and position the Korean peninsula as a motherland's satellite).
- What I call "Asianitude" keeps growing. Asian countries developping intra-asian relationships beyond the traditional bilateral relationships with Western countries, students and executives moving from places to places, a common ground and cultural identity, a sense of belonging to the same community at the individuals level...
- The Korean moment. Surrounded by ambitious giants (and a Japan dangerously returning to ultra nationalism and Showa-style fascism), seen as the herald of cultural diversity for other Asian nations, Korea has to cope with the collapse of North Korea. In what I call the Albania scenario, the people who used to live in a quasi sect are totally unprepared for a market economy : con men and gurus get the bulk of the values they received as a kick start in a new world.
- The turn of the millenium rise of fundamentalism (Christian in the US and Eastern Europe, Jewish in Eretz Israel and Islamist everywhere) may last if democracies keep electing leaders who put religion at the top of their not so hidden agendas (the collapse of Iraq, the rise of Iran as the regional threat, and the boost to fundamentalists across the globe were not collateral damage but the very aim of Bush's game). And while terrorists trained in Iraq blossom on new urban and suburban playgrounds, al Qaeda survivors and wannabes focus on rural Asia, Africa and South America.